Sunday, October 29, 2017

Short Post and a Song #134: Please be sensible, you young gaggle of twins.

Good afternoon, Velocininjas! I don't even care if you're having a good Halloween weekend so far, since you're about to get the blessing of FOUR pages of It Takes Four, so it'll even out to an awesome weekend no matter what. 

More like SUBSTANTIAL Post and a Song, amirite? Ah, alliteration.

In case you don't remember, last week's adventure ended on a cliffhanger: "So Amanda and Anita went back to the Dractec house. Dractec is Anita's last name. They did that because they..."




Translation: ...were full of ideas. Alisa and Octavea went to the Callaway house because they have the most convincing voices.

Meanwhile at the Dractec house Anita said, "Why don't we just be mean and they'll get so caught up in fighting who would get which one of us?" You could tell by the look on Amanda's face...


First of all, what the fuck are those girls standing on? A changing table?

Also good job whoever hangs pictures in that house, A+.

What is this business about "convincing voices"? What does that have to do with anything? I still don't understand why this switch is happening at all. Please be sensible, you young gaggle of twins.




Translation: ...that she thought that was stupid. Anita said "What? You have a better idea?" Amanda said, "Actually I do. We could do a little romantic show for them." Anita said, "Yeah.


Okay this house of blank pictures is starting to freak me the fuck out. Would it have been so hard to draw a tree or a dog or something?

I almost wish the book ended here, with Amanda proposing they do a show and Anita, real low-key, just saying, "Yeah."




Translation: Maybe would sing." Amanda said, "What woud we sing?" Anita said, "We will make-up song

So soon everything was made up. They got the parents on the patio and the girls sang, "You ever been on a date?




Translation: "Was there nothing but screams and hate? Well now we have the cure for sur it's the love prance/Swing your girl with a love whirl/Here's your chance do your dance, it's the love prance!

The parents clapped and in the morning the parent had forgotten all...


Does anyone else feel like things went from "have you ever been on a date" to "screams and hate" really quickly? Like, dude, what happened on that date?

So I guess a love prance is a certain kind of dance. Did the girls choreograph a dance too? Because if not their stupid song is fucking worthless.

Aaand this week ends with another cliffhanger. Are these the parents with Alzheimer's? If so the girls kinda wasted their time making up that whole song and everything...


~*~*~*~*~


"Solid Ground" by Maps & Atlas




Spotify Discover Weeky recently introduced me to this song and it's become a regular in my rotation as I edit Viable. It's got a real soundtrack-y feel to it, particularly the first minute or so.

I'm editing Viable because I finished the rough draft of Rebel (the sequel to Viable) on Tuesday, yaaaaay.


Photographic evidence


It's a thin draft, but at least the basic bones of the story are in place. 

Now I'm going through Viable to make sure everything across both books still makes sense, since I started writing Viable in 2010 and Rebel in 2011, so the worlds of both books have evolved substantially.

Rebel is the fourth novel I've finished writing, and the first novel I've finished in four years. It's not very good at all now, but I think maybe it could be. We shall see.

I hope all of your writing is going well, those of you who write. Some of my writer friends have half a book or most of a screenplay, but just can't seem to finish. The only advice I know how to give is: Keep going

It's gonna suck. You're gonna hate it. Do it anyway. 

If you're lucky you'll get a few of those sparkly moments where you truly sink into the story, like you did into the stories you loved to read most as a kid. 

Do it for those moments, especially since if they give you those feelings, there's a good chance there's some reader out there, at least one, who might feel them too.

At the end you'll have a draft that will probably fall incredibly short of your original vision. But it's yours. It exists. And nobody's going to stop you from chiseling away at it until it starts to look more on paper the way it does in your head.

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